andrej đerković

ANDREJ ĐERKOVIĆ (Bosnia and Herzegovina)

Andrej Đerković, Denizen, 2009

Andrej Đerković, Denizen, 2009

*Denizen (2009)

After the disintegration of Yugoslavia which was followed by war in Bosnia and Croatia new found countries were left without connections between themselves and the outside world. States adopted and implemented severe regulations with respect to obtaining citizenship in order to protect themselves. As a result a number of people in this (former) multi-ethnic territory are nowadays formally deprived of their basic rights to citizenship. Denizen is a photographic portrait of the Sarajevo based actor Alban Ukaj taken in the international zone of the Sarajevo airport. Despite the fact that for a number of years he has been resident in Sarajevo and an active protagonist of the city’s cultural and social scene, winning several awards for best young actor, Alban unfortunately still does not have a Bosnian citizenship. Photographed near the baggage courasel he serves as an allegory for the rigid bureaucratic regulations imposed upon him such his obligatory going out and coming in the country where he lives. The inter-territorial zone of the Sarajevo airport could be seen as the only territory where he really belongs.

Andrej Đerković, born 1971 in Sarajevo, is an artist and photographer. He lives and works between Geneva and Sarajevo.

www.djerkovic-andrej.co.ba

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AFTERMATH. Changing Cultural Landscape – Sarajevo

AFTERMATH. Changing Cultural Landscape
Tendencies of engaged post-Yugoslav contemporary photography

12-26 May 2014

City Gallery Collegium Artisticum, Sarajevo
(Terezije bb, Centar Skenderija)

After the initial presentation in Ljubljana followed by five shows across the region (Pordenone, Zagreb, Beograd, Cetinje, Bratislava) Aftermath. Changing Cultural Landscape project will be shown in Sarajevo. The exhibition brings together the principal protagonists from the field of engaged contemporary photography active in the territory of the former Yugoslavia following its disintegration (1991–2011).

*The exhibition is dedicated to recently deceased Milena Zarić Maksimović. R.I.P.

Nenad Malešević, Age of Renewal, 2009-2011

Nenad Malešević, 13 January 2006, from the Age of Renewal series, 2006-2011

Domagoj Blažević • Boris Cvjetanović • Qëndrëse Deda • Andrej Đerković • Tomaž Gregorič • Majlinda Hoxha • Astrit Ismaili • Robert Jankuloski • Genc Kadriu • Amer Kapetanović • Silvestar Kolbas • Srđan Kovačević • Borut Krajnc • Nenad Malešević • Goran Micevski • Duško Miljanić • Bojan Mrđenović • Paula Muhr • Oliver Musovik • Vigan Nimani • Ana Opalić • Lazar Pejović • Darije Petković • Ivan Petrović • Marija Mojca Pungerčar • Vojo Radonjić • Jasenko Rasol • Bojan Salaj • Tarik Samarah • Mirjana Stojadinović • Viktor Šekularac • Dejan Vekić • Sandra Vitaljić • Borko Vukosav • Milena Zarić • Ivan Zupanc • Antonio Živkovič

The Aftermath. Changing Cultural Landscape international project is the first regional research and curatorial platform established in order to identify and articulate principal tendencies within the field of contemporary photography in relation to its immediate environment. With the participation of partner organisations from throughout the former Yugoslavia, the project represents an extensive investigation of the effect of large-scale social shifts on the image of the physical and mental environment, and thereby, also on the expression of a number of artists who work in the field of fine art photography.

Aftermath represents a metaphor for the consequences of turbulent events and their mark on the physical environment and on social everyday life. Through their creative efforts, the participating artists address various effects of transition processes that unconditionally and brutally changed the life of the individual, be it the bloody wars in the 1990s and their indirect and direct consequences, radical economic changes that had a significant impact on the general climate, or directly related new social values.

Due to its temporal span, Aftermath provides an interesting confrontation of artistic reflections and expressions of various generations that either experienced the period before the disintegration of the common state or originate from a completely new social context. A 20-year period is short enough to preserve historical memory; thus, with most artists, the new situation is always somewhat juxtaposed with the memory of the recent past. The main starting point of the exhibited works is therefore the relation between the old and the new, the recording of the gradual changes within an individual place and time and the effect of ideologies on the broader social and physical environment.

Aftermath is collaborative project of seven partner organisations from former Yugoslav states (Beograd, Cetinje, Ljubljana, Priština, Sarajevo, Skopje, Zagreb); it is supported by European Cultural Foundation (BIFC), local authorities and Commune di Pordenone.

collegium.omnitask.me

www.photon.si

Partners:
Photon (Ljubljana) / Remont (Belgrade) / Film & Film (Pula) / Collegium Artisticum (Sarajevo) / Stacion (Prishtine) / Narodni muzej Crne Gore (Cetinje) / Contemporary Croatian Photography (Zagreb)

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